Posts tagged: T.S. Brooks

The Ross Island Bridge CD Release Show and Local Songwriter Revue

TS Brooks, Teresa Bergen and Ross Beach

TS Brooks, Teresa Bergen and Ross Beach

“I was kinda sick of hearing myself sing – I wanted to put a record out that I could actually listen to and enjoy,” confesses Ross Beach towards the middle of the CD Release Show and Songwriter Revue for Ross Island Bridge – Volume 1: The Process Is Now The Work.  For this project, Ross pulled another eleven songs’ worth of hooks out of his hat and used them to reel in a cast of Portland, Oregon’s best indie singers.  The resulting lick-laden CD is immediately hum-worthy and totally deserving of an all-star party.

On April 22, 2009, Ross summoned The Hellpets and several of his friends who sing on the album, and arranged for Splice Finders and his digital audio lasso to bust the whole affair at Backspace to micromedia.  Here’s how she was taken down:

Dropping in from Blue Skies For Black Hearts, Patrick Kearns strums and works the frets in his moment alone onstage before he and Ross leap to the album rocker “The Way You Say Bye.”  Following her intense solo set, Ali Ippolito (Rainbow & The Kittens) and Ross seek the musical answer “What Should I Do.”  After abandoning us to the riveting Adrienne Hatkin‘s (Autopilot is for Lovers) solo set, Ross joins her for “ifeelmyselfhoping.” Next, Kaitlyn ni Donovan lends her own beautiful pieces to us, and then her voice to Ross’ “Dreaming Of.”  TS Brooks (Minmae), who’s been playing lead guitar tonight, and whose own songs remind us of a crispier Lambchop, performs “The Exploding.”  Then come a couple of run-and-hits: Jon Ragel (Boy Eats Drum Machine) taking “A Pensive Moment,”  and the gleaming “We Met Too Soon” featuring Anne Adams.  A couple of chansons fortes de Ross and The Hellpets top off the mega-podcast (as in 195 MBs, gang, nearly five-thirds of an hour, so please be patient with the download).

One ought also to point to “The cover-volumeoneCountess” Teresa Bergen‘s assured bass throughout the evening’s proceedings.  In the less-assured league, Splice Finders apologizes for that bothersome crackling when the reverberations of Backspace max out the recording level, which he’d assumed was dialed back to a modest gain; but Splice has much to be glad about, having witnessed this stellar array of Portland-area talent and also getting his own copy of the new CD.

In fact, the CD makes a fantastic souvenir even if you weren’t in attendance; and we just happen to have three brand new sealed copies to give away.  If you spin an email quickly enough to brokenhours@gmail.com (please put “Ross Island Bridge” in the Subject line) we’ll try to help one to reach you.

(This podcast is no longer available.)

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