Posts tagged: Show and Tell Gallery Productions

Three Friends Mondays: Caffeinated Art #43

 

The Three Scrapettes

David Abel, Marko Whens, Tony Christy and Leo Daedalus

We love what we do at Show and Tell Gallery, and we ask for no more than a bit of attention paid to those whom we bring to the stage.  Melissa Sillitoe signs them up, Nikia Cummings spreads the word and I gruffly co-produce and capture things for posterity as best I can.

On May 4, 2009, The Three Scrapettes sont descendus parmi les vibreurs et le papier et les un bon nombre de mutant de cri avec des mots to bring us “2+2=3” – Sound Poetry and Paraperformance with a variety of “non-acts, sound poems, peripheral pieces, audience impersonations and wrong solutions” that paid back in full the efforts we expend to make Portland a more caffeinated and arty placebo.  They offermade up some biographicallistic fallacies: Marko Whens falsely proclaims to be the first poet to misspell (in? -ed.) every language.  Tony Christy‘s father was a scrap surgeon his mother a mitt mender.  Leo Daedalus imagines that the ideal expression of any particular art form would have to be realized in a different form.  David Abel studied with Massenet and Fauré at the Paris Conservatoire (1890-97), then lived uneventfully as a teacher and theorist.

Let loose in Three Friends Coffee House, the four of them made incomprehensible, joyous mayhem on indirect trajectories from Dada, Fluxus, Surrealism and Situationism. The Broken Hours Remix is all spoiled up by Splice Finders with his little with ACID Pro 7.0c thingly in his basement area with his stuff in there and everything, he likes to say.  Roughed out and rhyming, the RSS feed leads the sojourning data file hefty onto your portable sound charmer off the media Montserrat Internet Archives grabbing burny onto the twine shall occasionally meet:

Play

First Friday opening at the Hopscotch Gallery, March 6, 2009

A expectant thrush, a history of problems and the gracious hospitality of Three Friends Coffee House conspired to frost the flukes of fortune that trsulted in DJ Baron Landscape’s mordant and spotty hiatus from perfrmance.  Some ridiculous excuse is not even at hand to explain the reason why Splice Finders’ .wav file of the performance turned out all speedy sounding, but it did.  It simply carn’t be podcast, and those who missed the Firsst Friday opening at the Hopscotch Gallery, featuring nice, long sets by Dina Rae and Root Shocker, and a strange and wonderful appearance by 2010Gold, will simply have to piece a memory together with an ad hoc combination of sensory apparati.  To help stet the sage, we provide the

  • Si Begg, “It’s The Weirdest Thing,” Noodles Discotheque Vol. 4
  • Peter Broderick, “A Simple Reminder,” Touch (Type)
  • Marsen Jules, “Aurore” (edit), Herbstlaub (City Centre Offices)
  • The Camberwell Now “The Ghost Trade” (edit), The Ghost Trade
  • The Matinee Orchestra, “It’s A Fantasy World / Everyone Has The Right To Protest Even If No One Listens,” The Matinee Orchestra (Arable)
  • Erlend Øye/Röyksopp, “There Is A Light That Never Goes Out”
  • The Sandpipers, “Beyond the Valley of the Dolls”
  • The Herbed Brie Period By B. Blatherscape, Even

Although he has been auditioning vinyl from The Leaf Label, Memphis Industries, Marina, Arable and Type Records lately, the details of DJ Baron Landscape‘s first live set in a few years cannot be ascertained at WordPress time, except that it will take place at the First Friday reception for the March exhibit by photographer Dan Tree at Hopscotch Gallery, which is in the Three Friends Coffee House, 201 SE 12th Avenue, Portland, Oregon.

Dan Tree’s latest photographs take a gothic look at his friend’s MS diagnosis and how she feels to be living with a debilitating disease.  Dan lives in Salt Lake City, but he will be at the opening reception.

Musical eclectica from six to nine begins with DJ Baron Landscape from 6-7.  The warbling banshee Dina Rae, whose ethereal acoustic sounds simply must be experienced for oneself, takes the stage at 7:00 p.m., followed at 7:30 by Root Shocker, who disembarked from their home planet Curiose around the year 2299 touring their most recent album Ground Control.  At 8:00 p.m. it’s the hip-hop fusion stylings of 2010Gold, no es un hombre y no es buen dicho para hablar en el tercero persona.

Admission is free.  Certain special refreshments will be provided, other refreshments are always available at Three Friends.  Arrive early for optimal enjoyment.

DJ Baron Landscape rare live set: Friday, April 6 at Hopscotch Gallery, SE 12th and Ash, Portland, OR

Although he has been auditioning vinyl from The Leaf Label, Memphis Industries, Marina, Arable and Type Records lately, the details of DJ Baron Landscape‘s first live set in a few years cannot be ascertained at WordPress time, except that it will take place at the First Friday reception for the March exhibit by photographer Dan Tree at Hopscotch Gallery, which is in the Three Friends Coffee House, 201 SE 12th Avenue, Portland, Oregon.

Dan Tree’s latest photographs take a gothic look at his friend’s MS diagnosis and how she feels to be living with a debilitating disease.  Dan lives in Salt Lake City, but he will be at the opening reception.

Musical eclectica from six to nine begins with DJ Baron Landscape from 6-7.  The warbling banshee Dina Rae, whose ethereal acoustic sounds simply must be experienced for oneself, takes the stage at 7:00 p.m., followed at 7:30 by Root Shocker, who disembarked from their home planet Curiose around the year 2299 touring their most recent album Ground Control.  At 8:00 p.m. it’s the hip-hop fusion stylings of 2010Gold, no es un hombre y no es buen dicho para hablar en el tercero persona.

Admission is free.  Certain special refreshments will be provided, other refreshments are always available at Three Friends.  Arrive early for optimal enjoyment.

Three Friends Mondays: Caffeinated Art #23

The first Show and Tell Gallery Productions Three Friends Mondays: Caffeinated Art open mic at Three Friends Coffee House occurred at the appointed hour, vinyl enjoined and veneer observed from the outsetters, an oblong galaxy of stars and phalanx of attractive guests only in this place.   The numeric chorus line received, and them held ’twere in awe by the becoming Melissa Sillitoe, the stalwart and erudite David Matthews sharing some older stuff, the astounding and oft-termed “great” Rick J.

Presence lordly and dark was insisted upon, snide and choice with material, as the reminiscent Benjamin Fisher kept us on our guard, allowing briefly a showing of Melissa’s visual art, a newish written thing of temporarily reception, and more poetry, more espresso, more admiring onlookers from afar, among them your stumblng scribe and the newest S&T teammate – the mesmerized Nikia Cummings – both of us may take the future stage – and several who did shed earbuds and look up from the free and power Friends Three wi-fi to take it all in, squeaking and jingling doors book-ending the art parfait.

Oasis II in the Russian winter of our disconnect brightened by the Cheshire smile and cutting wit of  Chris Ridenour, a tremulous external wail chankered from the leg-irons of killer Mike “Cold Case” G, the joyous ceremony already spiked and inflated with classical rap, an impetuous card “trick,” an Iggy-worthy cry for love and an heart-shattering serenade by the self-contained and riveting Myrrh Larsen.  Blushing straight from work at check-it-out time, the radiant Starlite Motel, even.  Old love trumped new love and forth another Caffeine Monday event of majestic sound and vision and words issued.  It will happen again here knows when, it has been wisely and gratefully promised.

It seems, it is proved, they will faithfully come out on a night such as this… you’ll find the podcast on the Three Friends Mondays: Caffeinated Series page at brokenhours.net.

Also, now you can access the Three Friends Mondays: Caffeinated Series podcast via iTunes using this link:

http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=295435461

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