Posts tagged: Dina Rae

First Friday opening at the Hopscotch Gallery, March 6, 2009

A expectant thrush, a history of problems and the gracious hospitality of Three Friends Coffee House conspired to frost the flukes of fortune that trsulted in DJ Baron Landscape’s mordant and spotty hiatus from perfrmance.  Some ridiculous excuse is not even at hand to explain the reason why Splice Finders’ .wav file of the performance turned out all speedy sounding, but it did.  It simply carn’t be podcast, and those who missed the Firsst Friday opening at the Hopscotch Gallery, featuring nice, long sets by Dina Rae and Root Shocker, and a strange and wonderful appearance by 2010Gold, will simply have to piece a memory together with an ad hoc combination of sensory apparati.  To help stet the sage, we provide the

  • Si Begg, “It’s The Weirdest Thing,” Noodles Discotheque Vol. 4
  • Peter Broderick, “A Simple Reminder,” Touch (Type)
  • Marsen Jules, “Aurore” (edit), Herbstlaub (City Centre Offices)
  • The Camberwell Now “The Ghost Trade” (edit), The Ghost Trade
  • The Matinee Orchestra, “It’s A Fantasy World / Everyone Has The Right To Protest Even If No One Listens,” The Matinee Orchestra (Arable)
  • Erlend Øye/Röyksopp, “There Is A Light That Never Goes Out”
  • The Sandpipers, “Beyond the Valley of the Dolls”
  • The Herbed Brie Period By B. Blatherscape, Even

Although he has been auditioning vinyl from The Leaf Label, Memphis Industries, Marina, Arable and Type Records lately, the details of DJ Baron Landscape‘s first live set in a few years cannot be ascertained at WordPress time, except that it will take place at the First Friday reception for the March exhibit by photographer Dan Tree at Hopscotch Gallery, which is in the Three Friends Coffee House, 201 SE 12th Avenue, Portland, Oregon.

Dan Tree’s latest photographs take a gothic look at his friend’s MS diagnosis and how she feels to be living with a debilitating disease.  Dan lives in Salt Lake City, but he will be at the opening reception.

Musical eclectica from six to nine begins with DJ Baron Landscape from 6-7.  The warbling banshee Dina Rae, whose ethereal acoustic sounds simply must be experienced for oneself, takes the stage at 7:00 p.m., followed at 7:30 by Root Shocker, who disembarked from their home planet Curiose around the year 2299 touring their most recent album Ground Control.  At 8:00 p.m. it’s the hip-hop fusion stylings of 2010Gold, no es un hombre y no es buen dicho para hablar en el tercero persona.

Admission is free.  Certain special refreshments will be provided, other refreshments are always available at Three Friends.  Arrive early for optimal enjoyment.

DJ Baron Landscape rare live set: Friday, April 6 at Hopscotch Gallery, SE 12th and Ash, Portland, OR

Although he has been auditioning vinyl from The Leaf Label, Memphis Industries, Marina, Arable and Type Records lately, the details of DJ Baron Landscape‘s first live set in a few years cannot be ascertained at WordPress time, except that it will take place at the First Friday reception for the March exhibit by photographer Dan Tree at Hopscotch Gallery, which is in the Three Friends Coffee House, 201 SE 12th Avenue, Portland, Oregon.

Dan Tree’s latest photographs take a gothic look at his friend’s MS diagnosis and how she feels to be living with a debilitating disease.  Dan lives in Salt Lake City, but he will be at the opening reception.

Musical eclectica from six to nine begins with DJ Baron Landscape from 6-7.  The warbling banshee Dina Rae, whose ethereal acoustic sounds simply must be experienced for oneself, takes the stage at 7:00 p.m., followed at 7:30 by Root Shocker, who disembarked from their home planet Curiose around the year 2299 touring their most recent album Ground Control.  At 8:00 p.m. it’s the hip-hop fusion stylings of 2010Gold, no es un hombre y no es buen dicho para hablar en el tercero persona.

Admission is free.  Certain special refreshments will be provided, other refreshments are always available at Three Friends.  Arrive early for optimal enjoyment.

Three Friends Mondays: Caffeinated Art #26

It could’ve been the Craigslist promotion for the Open Mic on January 5, 2009, or maybe it was the ineluctable attraction of publisher-musician-poet Paul Evans, he of Redbird Studio and Alberta St. Small Press, but the dingly bell on the front door was a-dinglin’.  Those who came to see and hear Paul were treated to not one but two gorgeous and talented friends of Paul: 1) the warbling banshee Dina Rae, she of sunshine, of obviously superb mid-western stock, and of a vocal range that must be measured using the same unit used to measure the distance from here to her voice’s planet of origin, and, 2) advancing unmasked from under a pink and orange Texas sky, the mega-romantic Dominique Garcia, she with guitar shielding heart, it of passion overflowing.

Cattle call or no, the ensuing Open Mic served up a dozen open-mikers, including the now comfortingly regular participants Rick J, Melissa Sillitoe, and a delightfully more-humbled-than-usual Mike G (for “girl crazy”).  To the stage ascended deep thinkers, wise believers, grieving MCs, a digeridoo and dinglies to match the door-dinglies anon; among other poets, Christian, he of sometimes feeling like a fucking chameleon,  Christine, she of Sinophilia and Mount Hood climbing, Wayne Flower, he of Boise originally, and of many a band (as I suspected), and the briefly but deeply missed Celestial Concubine, she of paying back the sacrificed hours of sleeptime, thank you, we trusted you all along.  Admittedly, the writing in this so-called “blog entry” doesn’t really cover it all, so (as soon as I find where I put it) I will include the visual aid that accompanies Nathan‘s poem about the cats that go ’round (and ’round).

Show and Tell Gallery Productions is so damn glad that the Open Mic event will continue on a weekly basis following the invited performance.   Be sdvised, all you shoe-top dinglers, bridge-builders, denizens of different-tempo chaos  – prestazione dall’invito every giant, steaming Monday under the taupe and tender rafters of Three Friends Coffee House from 7:00 to 8:00, followed by the Open Mic sign-up from 8:00 to 8:15.  At 8:15 the Open Mic (limited to sixteen slots – sixteen milk necks ripe for licking) will unfurl its pink-crested, cartoid heart.

If you ever miss that ringing in your ears, you will find the podcast on the Three Friends Mondays: Caffeinated Series page at brokenhours.net until it, too, is washed away by the ocean.  And, simply because it is the largest distributor of organized sound in the world, iTunes unwittingly allows you to access the Three Friends Mondays: Caffeinated Series podcast via sheer grace by using this link:

http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=295435461

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